1,052 Free Images of Adrien Mercier

department of photographs, metropolitan museum of art experiments in physiology. facial expressions albumen prints in the metropolitan museum of art w. bruce and delaney h. lundberg gift albumen silver print from glass negative metropolitan museum of art adrien alban tournachon oil on canvas neoclassicism history painting

Figure 47: A suggestion of this same weeping, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 21: Painful recollection and recollection or calling something to mind, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 73: Head of Niobe, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 81: Lady Macbeth, moderate expression of cruelty, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 78: Scene of coquetry, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 45: Pain and despair., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 12: A study of the contraction of and the expression produced by the superior part of m. orbicularis oculi, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 54: Voluntary lowering of the lower jaw, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 57: Astonishment, stupefaction, amazement, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 16: Expression of severity, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 66: Head of Arrotino (the spy, the knife grinder, and so on), Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 50: Affected weeping and face in repose, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 60: Fright, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 48: Mild weeping, pity and feeble false laughter, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 55: Astonishment badly rendered by the subject: a ridiculous and inane expression., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 22: No painful expression, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 25: Not an expression of pain, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 39: The attention attracted by an object that provokes lascivious ideas and desires., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 10: Showing the expressive lines of m. frontalis in a young girl, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 56: Surprise, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 62: Terror, semiprofile, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 6: The grimice produced is similar to a tic of the face, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 26: Expression of painful attention and attention, attentive gaze., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 3: The face of an old man... photographed in repose., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 9: A study of m. frontalis in maximum contraction, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 24: Extreme pain to the point of exhaustion, the head of Christ and memory of love or ecstatic gaze., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 63: Expression of terror, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 82: Lady Macbeth, strong expression of cruelty, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 15: Mediation, mental concentration, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 27: Expression proportionally more pained, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 4: The face in repose of a young man, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 52: Voluntary retraction of the lower lip, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 71: Same head as in Plate 70, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 18: Aggression, wickedness, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 70: Head of the Laocoön of Rome, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Plafond du salon de la Reine (Louvre)

la terre recevant des empereurs adrien et justinien le code des lois romaines dictées par la nature, la justice et la sagesse (louvre, inv 20092)ceilings of the appartements d'été de la reine anne d'autriche

The maid, Henri Adrien Tanoux, 1892

19th-century paintings in the museo nacional de bellas artes (cuba)henri adrien tanoux

Helvetius, Louis-Michel van Loo

pierre-michel alix classicism

Ceilings of the appartements d'été de la reine Anne d'Autriche (9811929224)

la terre recevant des empereurs adrien et justinien le code des lois romaines dictées par la nature, la justice et la sagesse (louvre, inv 20092)ceilings of the appartements d'été de la reine anne d'autriche

Early Morning, Adriaan Jozef Heymans, 1907

landscape paintings in the museum of fine arts, ghent barbizon school

Familieportret van Willem III, koning der Nederlanden, Sophie van Württemberg, zijn broer, zijn oom, zijn nicht met echtgenoot, en twee zoons, RP-P-OB-105.647, Samuel Lankhout, 1874

lithographs in the rijksmuseum amsterdam samuel lankhout

Mr le comte de Guisnes, Louis Carrogis Carmontelle, circa 1760

portrait drawings by carmontelle in the musée condé 1760s portrait drawings of men

Cardinal Mercier by Cecilia Beaux, Cecilia Beaux, 1921

exhibition of war portraits : signing of the peace treaty, 1919, and portraits of distinguished leaders of america and of the allied nations painted by eminent american artists for presentation to the national portrait gallery (1921)american realism

Renoir - Portrait de Madame Adrien Mithouard, 1892, Pierre-Auguste Renoir

portrait paintings of women by pierre-auguste renoir impressionism

Duc de bretagne et duc d'Anjou enfants par F de Troy, François de Troy, circa 1711

portrait paintings by françois de troy (house of bourbon)marie-madeleine mercier

Resurrection of Christ-Charles le Brun-MBA Lyon A203-IMG 0391

la fabrique du luxe : les marchands merciers parisiens au xviiie siècle religious paintings in the musée des beaux arts de lyon

AMAZONS

wonder woman feminism

Coronation of Emperor Napoleon I and Coronation of the Empress Josephine in Notre-Dame de Paris, December 2, 1804, Jacques-Louis David, between 1805 and 1807

the coronation of napoleon (jacques-louis david, louvre)neoclassicism

ALAIN PACADIS

nightclub have fun

Consecration of the Emperor Napoleon I (detail), Jacques-Louis David, between 1805 and 1807

details of sacre de l'empereur napoléon ier (jacques-louis david)neoclassicism

Napoleon crowns Empress Joséphine, Jacques-Louis David, 1805-1807

details of sacre de l'empereur napoléon ier (jacques-louis david)neoclassicism

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